CFP: Between Big Data and Obsolescence: Born-Digital Sources, Contemporary History, and the Politics of Access

Ninth Conference on Digital History and Digital Humanities
Location: German Historical Institute Washington
Date: March 18–19, 2027
Deadline for Submissions: September 6, 2026

Co-convened with the Luxembourg Centre for Contemporary and Digital History (C2DH), the Chair for Digital History at Humboldt-Universität zu Berlin, the Leibniz Institute of European History (IEG) in Mainz, the Chair for Contemporary History at the University of Mannheim, and NFDI4Memory.

Digital technologies have fundamentally transformed the production, circulation, preservation, management, and interpretation of historical sources. Contemporary history is increasingly confronted with sources that are not simply digitized versions of analog records, but born-digital traces: emails, databases, social media posts, websites, digital images, messaging apps, spreadsheets, geodata, audiovisual files, code, metadata, and AI-generated content. These sources are unstable, fragile, platform-dependent, and often inaccessible both for research and even to the institutions that initially produced them. At the same time, they constitute crucial evidence for political, social, cultural, legal, and economic histories of the late twentieth and twenty-first centuries.

This conference takes the problem of born-digital sources as a central challenge for contemporary history and digital history alike. It asks how historians, archivists, information scientists, legal scholars, and digital humanities practitioners can work together to ensure that born-digital materials will be accessible as sources for research, while also developing tools and strategies that support their critical analysis.

One of the starting points for this conference in the German context is the position paper “NFDI4Memory: Damit wir auch zukünftig eine Vergangenheit haben” (Ensuring that the Future Has a Past). The authors argue for much closer cooperation between archival science and historical research in response to the changing conditions of the production of historical evidence. The mass availability of cataloging and metadata, they note, produces volumes of information that humans can no longer productively oversee, requiring new digital tools for enrichment, standardization, and analysis. Such tools are already being adopted in both archives and research communities. 

Comparative perspectives reveal that the preservation of born-digital records depends on distinct professional cultures, legal frameworks, and institutional responsibilities. In the United States, for example, records management, including electronic records management, has long served as an important bridge between administrators, archivists, and, potentially, historians. For government records, standards are shaped by the National Archives and Records Administration (NARA), including guidelines for official social media records, as well as by state archives. Private and non-governmental organizations often develop their own practices, resulting in a more uneven landscape of preservation, access, and accountability. Yet even where standards exist, major challenges remain: records managers may lack enforcement authority; institutions may lack funding, staffing, and technical infrastructures; and political priorities may undermine commitments to transparency and preservation. These problems point to broader international differences in how born-digital records are managed, preserved, and made available as future historical evidence. For more than two decades, scholars and practitioners have warned that overcoming divides between archivists, historians, records managers, and computer scientists is essential if we are to avoid the losses associated with a possible “digital dark age,” as Roy Rosenzweig already argued in 2003.

The challenges become even more urgent when we shift our focus from archives to producers of born-digital records, including government agencies, legislative bodies, and courts. Even more complex are challenges for institutions not subject to federal and state electronic records management requirements and guidelines, such as political parties, corporations, NGOs, and media organizations. Common problems include a lack of guidelines, a lack of enforcement abilities, a lack of staffing and training, and a lack of affordable platforms and infrastructures. Records disappear in deletion routines, remain locked in proprietary systems, or become inaccessible due to changing software environments, legal restrictions, platform obsolescence, or phaseouts. Whether in democratic or in authoritarian regimes, political decisions and developments influence whether governments are committed to ensuring transparency, oversight, and accountability governed by processes accountable to the public, or whether electronic traces of evidence may be repressed or destroyed. 

Born-digital records are therefore not merely a technical or archival concern. They are central to public accountability, democratic transparency, and the very possibility of writing contemporary history. Or as Sarah Weicksel, Executive Director of the American Historical Association (AHA), recently observed in an interview with the Max Weber Foundation’s “Weltweit vor Ort”: “Part of the question, then, is whether the American public and researchers from around the world will have access to a full and complete accounting of governmental actions and records, both through the executive branch and throughout other branches of government.”

The transformation process requires new skills and offers new opportunities for researchers. Traditional methods and working practices must expand, and new research questions and opportunities are emerging. The advent of born-digital data has given rise to entirely new categories of sources, raising new questions about data management and analytics, as well as enhanced methods of source criticism. Born-digital materials therefore force us to rethink traditional historical and archival training, and disciplinary and professional boundaries between historical scholars, information and data professionals, including archivists, digital humanists, and computer scientists. What does it require to preserve a database, a social media feed, a messaging thread, or a dynamic website? How can historians reconstruct the provenance, integrity, and context of digital records? What forms of digital source criticism are needed when documents are produced, modified, enriched, compressed, deleted, or algorithmically reordered by technical systems? How should we treat AI-generated images, texts, videos, and synthetic media as sources of contemporary history? And how can historians respond when politically significant digital records vanish before they ever become archival objects?

Submission Guidelines 

The conference aims to create a forum for sustained exchange between those who preserve born-digital materials and those who interpret them as historical sources. By bringing together archival, methodological, technical, and historiographical perspectives, we seek to ask not only how born-digital records can be saved, but also how they can be made meaningful for contemporary history. We especially welcome contributions that combine methodological reflection with concrete case studies, project presentations, or hands-on approaches.

Possible topics include, but are not limited to:

  • Digital forensics and born-digital evidence
    How can methods from digital forensics help historians and memory workers identify, preserve, authenticate, and interpret born-digital materials? What can forensic approaches reveal about deleted files, metadata, file systems, version histories, timestamps, or chains of custody? How can such methods be made accessible for historical research without reducing sources to purely technical artifacts?
  • Digital source criticism 
    Born-digital sources require new forms of source criticism. Contributions may address provenance, authenticity, metadata, platform infrastructures, interface effects, algorithmic mediation, software dependencies, and the interpretive challenges of large-scale digital corpora. We are particularly interested in approaches that connect computational methods with hermeneutic interpretation. How can historians critically analyze sources that are too large, dynamic, or complex to be read through conventional methods alone?
  • Working with born-digital governmental sources
    Present your in-progress or finished project based on the aforementioned new types of sources. What institutional, technological, and methodological challenges did you encounter? Are there advantages to the sources’ genuinely digital nature, which is unburdened by the time-consuming and error-prone aspects of retrodigitization?
  • AI-generated content as sources of contemporary history
    Generative AI has rapidly become part of everyday communication, political campaigning, cultural production, journalism, administration, education, and memory work. How should historians approach AI-generated text, images, audio, video, or code as historical sources? What evidentiary status do synthetic media have? How can scholars distinguish, contextualize, and interpret AI-generated materials, especially when provenance is uncertain or deliberately obscured?
  • Democratic fragility, deletion, and political accountability
    Digital records are central to democratic accountability, yet they are also vulnerable to deletion, manipulation, privatization, and selective preservation. We invite papers that examine the disappearance of data by political actors, the fragility of administrative records, the destruction or withholding of digital evidence, and the challenges of documenting political decision-making in digital environments. How can historians, archives, journalists, and civil society organizations respond when records disappear before they can be preserved?
  • Archives, infrastructures, and national differences
    The preservation of born-digital sources depends on legal frameworks, archival mandates, technical infrastructures, institutional cultures, and funding structures. We welcome comparative perspectives on national, regional, and institutional differences in the collection, preservation, and accessibility of born-digital records. How do archives in different countries deal with government records, web archives, social media, email collections, or digital audiovisual materials? What can be learned from transnational comparison?
  • Ethics, law, and data protection
    Born-digital sources raise pressing ethical and legal questions. How can researchers balance public interest, privacy, consent, copyright, data protection, and the right to be forgotten? What responsibilities do historians have when working with personal digital traces, leaked materials, or sensitive administrative data?
  • Access, platforms, and the privatization of historical evidence
    Many born-digital sources are produced on commercial platforms that restrict access to researchers. Social media data, search engine results, messaging apps, and platform moderation records are often unavailable, incomplete, expensive, or legally difficult to obtain. Contributions may address the epistemological and political consequences of restricted data access. What kinds of contemporary history become impossible to write when platform data is inaccessible? What alternative methods, collaborations, or advocacy strategies are available?

We invite proposals in two formats:

  1. Individual presentations of 20 minutes. Papers may present case studies, methodological interventions, archival projects, theoretical reflections, or comparative perspectives.
  2. Workshops of 90 minutes for hands-on presentations of projects, tools, workflows, methods, or skills. Workshops may introduce participants to digital forensic methods, born-digital archival workflows, web archiving, metadata analysis, platform research, AI source criticism, or other practical approaches.

Proposals should include a title, an abstract of no more than 500 words (introducing state-of-the-art, research questions and objectives), a short biographical note of no more than 150 words, and an indication of the preferred format: workshop or individual presentation. Workshop proposals should also include a brief description of the intended structure and any technical requirements. Please submit your proposal to our conference platform https://app.smartsheet.eu/b/form/019e0327d9be7cc5b158b9b7cab2fc4f by September 6, 2026. 

Registration and Contact Information

Although we favor in-person attendance of participants and presenters, facilities for hybrid participation will be provided with the aim of making the event as inclusive as possible. Accommodations will be arranged and paid for by the conference organizers (for one presenter per paper or workshop). Participants will make their own travel arrangements; funding subsidies for travel are available upon request for selected scholars, especially those who might not otherwise be able to attend the workshop, including junior scholars and scholars from universities with limited resources. For further information regarding the event’s format and conceptualization, please contact Daniel Burckhardt, burckhardt@ghi-dc.org. For questions about logistics (travel and accommodation), please contact our event coordinator Nicola Hofstetter, hofstetter-phelps@ghi-dc.org.

Conference Committee

  • Daniel Burckhardt, GHI Washington
  • Andreas Fickers, Luxembourg Centre for Contemporary and Digital History (C2DH)
  • Philipp Gassert, Chair for Contemporary History at the University of Mannheim
  • Katharina Hering, GHI Washington
  • Torsten Hiltmann, Chair for Digital History at Humboldt-Universität zu Berlin
  • Jana Keck, GHI Washington
  • Atiba Pertilla, GHI Washington
  • Thorsten Wübbena, Leibniz Institute of European History (IEG) in Mainz

Contact Information

For further information regarding the event’s format and conceptualization, please contact Daniel Burckhardt, burckhardt@ghi-dc.org. For questions about logistics (travel and accommodation), please contact our event coordinator Nicola Hofstetter, hofstetter-phelps@ghi-dc.org.

Contact Email

burckhardt@ghi-dc.org

URL: https://www.ghi-dc.org/events/event/date/between-big-data-and-obsolescence-born-digital-sources-contemporary-history-and-the-politics-of-access

CFP: Talking Records (National Archives, Britain)

Talking Records is an annual themed symposium hosted by The National Archives, bringing together researchers and practitioners working with archival collections.

Talking Records 2026: Spaces and places of care

Call for papers

Call for papers deadline: Friday 18 September 2026

Symposium date: Monday 7 December 2026

The 2026 symposium will explore histories of care and welfare and their intersections with histories of spaces and places. These histories leave complex traces in archival collections, entangled with histories of medicine, public health, poverty, government, social security and more.

Histories of welfare and care can be found across the collections at The National Archives. These range from records relating to welfare legislation to detailed documentation of particular institutions. These include the evolving responsibilities of the state for health and social care, the establishment of the National Health Service, and of documentation of institutions from medieval hospitals to Poor Law Unions.

The historic records of government offer rich insights into the diverse places and spaces associated with care and welfare. Plans, drawings, photographs, correspondence and many other documents testify to the ways in which space and place have shaped the provision of care and welfare in Britain and beyond. They also show how places and spaces have, in turn, been shaped by changing care and welfare practices, theories, and experiences.

We invite researchers and practitioners working with archival collections to present 15-minute papers exploring the spatial dimensions of care and welfare in any time period or global context. We particularly encourage contributions from early career researchers, and welcome alternative presentation formats, including creative responses.

Potential topics include, but are not limited to:

  • institutions of care and welfare: hospitals, sanitoriums, hospices, almshouses, orphanages, clinics, creches, asylums, shelters, refuges, charities
  • architecture and built environments: rooms, wards, facilities, buildings; planning, design, and use
  • homes and households: family and domestic caregiving
  • medical and therapeutic understandings of place and space: hygiene, climate, infection control, rest and recovery, convalescence
  • outdoor spaces of care: ‘open air’ nurseries, hospital gardens, green spaces
  • liminal, improvised, repurposed, or temporary places of care, such as field hospitals and ships
  • embodied, subjective, and affective experiences of space and place: senses, emotions, memory
  • community spaces of care, marginalised histories
  • alternative places and spaces of care, such as ‘green’ and ‘blue’ social prescribing
  • archives as places of care: for records, documents, artefacts, people, histories, readers, staff

Please note that Talking Records is an in-person only event, and therefore contributors are expected to present at The National Archives, Kew.

The event is free to attend and we have a limited number of bursaries of £150, which can be used towards travel and/or accommodation.

Webinar: From Idea to Acceptance: How to Submit a Winning Annual Meeting Session Proposal

Have an idea for a session at the 2027 AAM Annual Meeting & MuseumExpo?

Join this interactive webinar to learn what reviewers are really looking for and how to craft a proposal that stands out.

We’ll cover everything from writing a compelling session title to clearly defining audience takeaways, sharing common mistakes to avoid, and walking through a live proposal review to show how small changes can strengthen your submission.

Whether you’re submitting for the first time or looking to improve your approach, you’ll leave with practical tips to help turn your idea into a successful proposal.

📅 Thursday, August 20, 2026

🕑 2:00–3:00 PM ET

💻 Online

👉 Register today: https://www.aam-us.org/event/from-idea-to-acceptance-how-to-submit-a-winning-annual-meeting-session-proposal/

New Issue: Archives: The Journal of the British Records Association

Archives: The Journal of the British Records Association 60, no. 2 (2026)
(subscription)

Articles

THE ASSOCIATION OF PERFORMING ARTS COLLECTIONS
Erin Lee

THEATRE ROYAL, NOTTINGHAM: HERITAGE MURAL COMMISSION WITH HANDMADE THEATRE
Georgina Donohue

CREATING TRANSFORMATION: CO-CURATING COLLECTIONS WITH ARTISTS, PEOPLE AND PLACES
Robyn Greenwood

THE MAURICE BOND LECTURE 2024. PLACING ARCHIVES: THE VICTORIA COUNTY HISTORY AND ARCHIVAL LANDSCAPES
Adam Chapman

APPARITIONAL BLACKNESS: NORTHAMPTONSHIRE’S STUBBORN PHANTOMS
Tré Ventour-Griffiths

Review

David Crouch, ed., The Metham Family Cartulary: Reconstructed from Antiquarian Transcripts
Nicholas Vincent

New Issue: American Archivist

American Archivist 89, no. 1 (2026)
(partial open access)

From the Editor
What is the Problem?
Amy Cooper Cary

Presidential Address
Archival Chaos or Archival Community?: A Charge for Change, Equity, and Openness
Derek T. Mosley

Special Section on User Experience (UX) and Archives Introduction
Faith Charlton, Alison Clemens, Betts Coup, and Shaun Ellis

Building UX Capacity in Archives: A Practical Maturity Model
Hanna Sistrunk

“Why Can’t I See That?”: Evaluating the Impact of Access Restrictions on Archival Researchers
Veronica Denison, DiAnna Hemsath, Elizabeth Russell, Ashlyn Velte, and Katrina Windon

Beyond the Reading Room: Exploring the Motivations and Behaviors of Online Archival Users
Chela Scott Weber, Lesley A. Langa, and Lynn Silipigni Connaway

“For the Good of the User”: Harmful Content Mediation Insights from Princeton University Library’s Focus Group Study
Faith Charlton, Christa Ciadella, Shaun Ellis, and Amy C. Vo

Creating Space in ASpace for New Perspectives: Notes from a Year-Long UX Assessment of the ArchivesSpace PUI
Benn Joseph, Dana Lamparello, Kelsey O’Connell, and Frank Sweis

Stronger Together: A Heuristic Evaluation of Content Notices on Digital Collections Websites
Theresa Berger

Archival Motivations, Barriers, and Recommendations from Indigenous Community-based Researchers: Findings from a Mixed-Methods Survey
Diana E. Marsh, Danielle Davis, Joshua A. Bell, Ugoma Smoke, Dorene O’Hara, and Maria F. Vivar-Guzman

Articles

The Struggle of Institutional Recordkeeping: A Case Study Examining American Advisor Records from the Vietnam War
Eliot Wilczek

All the Freaks We’ve Saved: The Louisville Underground Music Archive in Retrospect and Comparison
Elizabeth E. Reilly, Caroline Daniels, and Heather Fox

International Perspectives

Perfecting Digital Archiving: A Comparative Study
Michal R. Rubin, Rinat Stapler, and Alexandra Wolloch-Grandelevskaya

Naming the Fragment: Documentary Forms of Newspaper Clippings
José Francisco Guelfi Campos

Reviews

From Historical Legacies to Future Frameworks: Recent Scholarship in Archives
Rose Buchanan and Stephanie Luke

Access to Special Collections and Archives: Bridging Theory and Practice
Gab Alderete-Cruz

From Interrogation to Integration: Centering Social Justice in Special Collections, Archives, and Preservation
Kate Burns

Digital Humanities and Libraries and Archives in Religious Studies: An Introduction
Adam Stokes

Visualizing History’s Fragments: A Computational Approach to Humanistic Research
Laila Hussein Moustafa

After Disruption: A Future for Cultural Memory
Lori Podolsky

Stories on Skin: A Librarian’s Guide to Tattoos as Personal Archives
Courtney Marie Gillie

The Book Censor’s Library
Amanda Greenwood

CFP: Restorative Justice in Heritage Studies and Archaeology book series

Restorative justice in heritage and archaeology embraces initiatives for reconciliation of past societal transgressions using processes that are multivocal, dialogic, historically informed, community based, negotiated, and transformative. This series presents works that promote the active and often unconventional ways that archaeologists, historians, and heritage scholars are contributing to a process of remaking. Our authors work to define and illuminate the best practices for restorative justice in these fields and to identify how practitioners and their collaborators are working to redress, reconcile, and remake contemporary society.

Series Editors: Nedra K. Lee, PhD, Department of Anthropology, University of Massachusetts; Richard Paul Benjamin, PhD, University of Liverpool; and Christopher Fennell, PhD, Department of Anthropology, University of Illinois, Urbana-Champaign.

Learn More: We welcome proposals for single-authored, co-authored, and edited volumes. Interested in proposing a book for this series? Contact one of us: Nedra.Lee@umb.eduRichard.Benjamin@liverpool.ac.ukcfennell@illinois.edu. General guidelines for authors are available from Routledge Press (Taylor & Francis). Routledge offers flexible approaches to publishing in print, ebook, and open-access formats.

We have multiple volumes published and in process, including —

“Grappling with Monuments of Oppression: Moving from Analysis to Activism”

“Combating Oppression with New Commemorations”  

“Monuments, Statues, and Commemorations of Women”

“Landscapes of Care: Heart-Centered Practice in Historical Archaeology”

Join our initiative! You can follow these projects through our website, and on social media.

http://faculty.las.illinois.edu/cfennell/RestorativeJusticeInHeritageStudies&ArchaeologyBookSeriesOverview.htm

https://www.routledge.com/Restorative-Justice-in-Heritage-Studies-and-Archaeology/book-series/RJHSA

Kind regards,
Chris Fennell

Contact Information

Christopher Fennell

University of Illinois, Urbana-Champaign

Contact Email

cfennell@illinois.edu

CfP: Mapping the Extremes – Polar Cartography

Texas Map Society Fall Meeting 2026

Mapping the Extremes –  Polar Cartography

Oct 3, 2026 – Central Library, The University of Texas at Arlington, Arlington, Texas

The Texas Map Society invites paper proposals for its Fall Meeting, which will focus on polar mapping. This year, we are thrilled to host our meeting in conjunction with the 15th Biennial Virginia Garrett Lectures on the History of Cartography, Oct 1-2, 2026. Their theme this year is “Frozen Frontiers: 500 Years of Mapping Antarctica”.  The lecture series also marks the opening of a new Special Collections exhibit, “Frozen Frontiers: 500 Years of Mapping Antarctica,” which showcases Antarctic maps, books, and prints donated to UTA Libraries by former NBC 5 Senior Meteorologist and Texas Map Society board member – and longtime Editor of The Neatline – David Finfrock. 

We invite submissions detailing innovative mapping of the Arctic and Antarctic. We seek to bring together map collectors, historians of cartography, marine scientists, geographers, archivists, digital humanities scholars, and others to explore the polar regions as a contested and evolving space.

We welcome paper proposals on, but not limited to, the role of maps in colonial claims; historical and modern methods of mapping the Arctic and Antarctic; environmental humanities; Indigenous geographies; the recovery of non-Western spatial knowledge and navigation traditions; borders and jurisdictions; and digital humanities projects.   

As we are the Texas Map Society, we always welcome papers on the mapping of Texas, map collections featuring Texas, and other local mapping, regardless of theme.

Submission Requirements

We welcome proposals for individual 20-minute papers or pre-constituted panels.

  • Individual Abstracts: 250–300 words.
  • Panel Proposals: A 150-word session description plus short abstracts for each presenter.
  • Short Biography: A 100-word biography can include relevant publications or projects.

Deadlines

  • Proposals Due: August 20
  • Acceptance Notification: the first week of September

Contact Information

Please submit all materials in a single PDF directly to TMS VP Lydia Towns at Lydia.towns@sfasu.edu

Contact Email

Lydia.towns@sfasu.edu

CfP for INTERFACE Issue 31: Rethinking Materiality in an Age of Digital Presence

Call for Papers for Issue 31 (December 2026)

Submission Deadline: October 31, 2026

Guest Editors:

Paweł Piszczatowski  (University of Warsaw)

Helga Müllneritsch (National Taiwan University)

Rethinking Materiality in an Age of Digital Presence

 “If matter itself is lively, then not only is the difference between subjects and objects minimized, but the status of the shared materiality of all things is elevated. All bodies become more than mere objects, as the thing-powers of resistance and protean agency are brought into sharper relief” (Bennett, Vibrant Matter, 2010, p. 13).

Over the past two decades, the concept of materiality has undergone a profound transformation across the humanities. Approaches such as New Materialism, Posthumanism, and Object-Oriented Ontology have challenged anthropocentric models of thought by emphasizing the vitality, agency, and relationality of both living and non-living matter. Rather than treating objects as passive entities defined solely by human perception and use, these perspectives foreground the active role of material forms in shaping human experience, cultural practices, and historical processes.

Yet questions surrounding materiality are far from new. Throughout history, philosophers, artists, writers, and cultural thinkers have explored the relationship between human beings and the material world. In the late eighteenth century, for instance, the German philosopher Johann Gottfried Herder argued that “sight reveals merely shapes, but touch alone reveals bodies” (Herder, Sculpture, 2002, p. 35), emphasizing tactility and embodiment as fundamental conditions of human experience. His reflections acquire renewed significance in the present moment, when increasing aspects of social interaction, creativity, labour, and intimacy are mediated through digital technologies.

The emergence of artificial intelligence, virtual environments, and digitally mediated relationships raises new questions about the status of the material in contemporary life. While digital technologies may appear to distance human experience from physical presence, they remain deeply embedded in material infrastructures, embodied practices, and affective relations. The rise of AI companions, virtual therapists, and synthetic forms of intimacy challenges established distinctions between human and non-human, physical and virtual, object and subject.

This special issue seeks to explore how materiality has been imagined, experienced, represented, and transformed across different historical periods and cultural contexts. Rather than understanding the digital age as a departure from material existence, we invite contributions that examine how new technologies, philosophical developments, artistic practices, and social transformations reshape our understanding of matter itself. How have concepts of materiality evolved across time? How do objects acquire meaning through their movement, preservation, and transformation? How might digital and technological developments alter, rather than diminish, our relationship with embodied existence?

We welcome interdisciplinary contributions from literary studies, history, philosophy, cultural studies, media studies, anthropology, art history, and related fields. Submissions may address any historical period or theoretical approach within literary and cultural contexts.

Possible topics include, but are not limited to:

Literary, Historical, and Philosophical Foundations

  • Philosophical approaches to being, matter, embodiment, and the material world
  • Historical transformations of concepts of materiality across cultures
  • The global circulation and intercultural adaptation of material concepts and practices
  • Handwriting as a form of embodied expression and the material trace of the self
  • Drawing, sketching, and visual practices as material expressions of thought
  • Material objects and their meanings across time and space
  • Objects as carriers of memory, emotion, and historical experience
  • Matter as palimpsest: accumulated layers of personal and collective histories

 Material Practices, Technology, and Intimacy

  • The movement of material practices across cultures and historical periods
  • Traditional Chinese Medicine in Europe and the transnational circulation of healing practices
  • Material and spiritual connections in practices such as ancestor worship
  • Bodies, prosthetics, and technological extensions
  • Understanding of materiality as a property of discrete objects or emerging through dynamic networks of human, non-human, and technological relations
  • Ethical questions surrounding AI-human interaction
  • Artificial intelligence, emotional attachment, and new forms of intimacy
  • Reshaping of our understanding of embodiment, relationality, and presence through digital objects, virtual environments, and algorithmic systems

 Cultural Representations and Imaginaries

  • Literary representations of artificial consciousness and synthetic emotions
  • Cinematic portrayals of human-machine relationships
  • Science fiction and speculative explorations of synthetic life
  • Representations of human and non-human agency
  • The role of objects and technologies in shaping identity and memory
  • Artistic engagements with virtuality, embodiment, and material presence

INTERFACE also invites papers not related to the Special Topic which will be published in a dedicated General Topic Section.

Papers should be submitted online at http://interface.org.tw/ no later than October 31, 2026; and should include an abstract of no more than 250 words.

All potential authors should consult our website for Author Guidelines (http://interface.org.tw/index.php/if/about/submissions#onlineSubmissions)

Contact Information

Paweł Piszczatowski  (University of Warsaw)

Helga Müllneritsch (National Taiwan University)

Contact Email

hmuellneritsch@ntu.edu.tw

URL

https://interface.org.tw/index.php/if/pages/view/CallforPapers31

GLAM Bookworms Book Club – Sept. 16

Please join us for the next G.L.A.M. Bookworms book club meeting on Wednesday, September 16 at 7pm (EDT) when we’ll discuss THE CARTOGRAPHERS by Peng Shepherd.  RSVP for Zoom link: info@wolfsonarchives.org

THE CARTOGRAPHERS by Peng Shepherd

Nell Young, a talented cartographer who, after being exiled from her job at the New York Public Library, discovers a mysterious map among her deceased father’s possessions. As she delves into its secrets and its link to her father’s murder, she uncovers a world where maps hold extraordinary powers, leading her on a journey filled with mystery and danger.

If you have any questions or would like additional information, please let me know!

Thank you.

Regards,

Lou Kramer

Miami Dade College’s Wolfson Archives

lkramer1@mdc.edu

CFP: Journal of New Librarianship

The Journal of New Librarianship is celebrating its 10th anniversary in the Spring 2027 issue. We invite submissions where authors reflect upon the last decade of librarianship and critically examine the changes, trends, and challenges of the past and the excitement, innovation, or concerns for the future. We are accepting submissions for Peer-Reviewed Articles, New Generation of Librarianship Column, Innovations in Librarianship Column, and Op-Eds or Essays. Authors who submit for Peer-Review, Op-Eds, and Essays may be asked to review other authors’ submissions, but is not required for submission. 

  • Peer-Reviewed articles: Although longer works may be considered, 3,000–6,000-word manuscripts are most suitable.
  • Columns, Op-Eds, and Essays: 1,500–3,000 words.
    • New Generation of Librarianship Column (1,500 words)
      • This column examines the issues faced by the new generation of librarians, across all fields of librarianship. “New generation” is broadly conceived to include any person who is new to the field, regardless of age, background, etc. Topics could include, but are not limited to: efforts advancing accessibility, equity, diversity, and inclusion; experiences of marginalized librarians; critical librarianship; international experiences and perspectives; succession planning, hiring, and retention; experiences and impact of early- and second-career librarians who have recently joined the profession. For potential inclusion in the Spring 2027 anniversary series, please consider these themes within the context of the CFP prompt above.
    • Innovations in Librarianship Column (1,500 words)
      • This column seeks authors who wish to share the details of how they have realized these innovations, defined as an “idea, practice, or object that is perceived as new by an individual or other unit of adoption” within their own praxis.For potential inclusion in the Spring 2027 anniversary series, please consider these themes within the context of the CFP prompt above.

JoNL is a free, open-access journal committed to equity, diversity, and plurality of opinions. In addition to making scholarship freely accessible to all readers, the journal publishes works created by authors from all backgrounds, drawn from all types of libraries and information centers. A central aim of the journal is to challenge long-held assumptions within the library and information science (LIS) field. To this end, authors are encouraged to submit works that meaningfully interrogate structures and practices to engender and advance a sense of equity, fairness, and justice within librarianship.

New librarianship commands a call to action and the JoNL provides an outlet that mixes both traditional and emerging forms of scholarly and professional communications that forge innovative paths shared and led by the LIS profession. Our goal is to provide a publishing venue for innovative and interdisciplinary scholarship that extends beyond the narrow scope of existing LIS journals.

JoNL uses an electronic submission and reviews process through OJS. See our website for additional information about the Review Process and our AI Policy. Submissions must be submitted using the preformatted JoNL Manuscript Template.

Key Dates:

Submission Deadline: October 1, 2026

Notification of Acceptance for Peer Review: October 18, 2026

Return of Peer Review manuscripts: November 23, 2026

Submission deadline for revisions: December 13, 2026

Publication: Spring 2027 

Contact:

Claire DL. Dunker, Communications Editor, newlibsjournal@gmail.com